Organised Sound (2026)

Phenomenological Open Graphic Notation with Chaotic Systems in Interactive Electroacoustic Music

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New Interfaces for Musical Expression (2025) Canberra, Australia 

Out-of-Control Feedback Systems and Collaborative Influence with the Instrumentalist Mixer Feedback Transmutation System 

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International Computer Music Conference (2023) Shenzhen, China

Saxophone Controlled No-Input Mixer and Generative Digital Scores An Exploration of Electroacoustic Improvisation with the NIMB+

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Korean Electro Acoustic Music Society and Conference (2022) Seoul, South Korea 

Computer Aided Composition, Timbral Synthesis, & Electro-Acoustic Super-Instruments: An Exploration of Heaviness in Electro-Acoustic Chamber Music

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Anestis Logothetis Centenary International Symposium (2021) Athens, Greece

Exploring Accessibility, Interpretation, and Communication through Graphic Scores

 

Dialogues: Analysis and Performance Symposium (2021) Toronto, Canada

Analysis Through Performer Interpretations of Open Graphic Notation

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Graduate Students In Music Conference (2021) City University of New York, USA 

Embodied Shadow Voices, Super Reality, and Fake Music: Communicating Meaninglessness Through Nothing in One Hundred and Fourteen Words (automatica)

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Open Graphic Score Research Project (2021)

ONGOING CALL FOR INTERPRETATIONS